Smithsonian Center for Folklife & Cultural Heritage

Digital illustration of a man in gray uniform standing in from an ornamental Chinese gate with red columns, tile roof, and Chinese characters.

Introducing Graphic Artist Jean Young’s Powerful New Visuals on the History of LA’s Chinatown

The original Los Angeles Chinatown, now known as “Old Chinatown,” developed in the 1860s.

An illustration of an Asian woman with various symbols above her head including an American Flag, an "I voted" sticker, a ballot box, and a Chinese character.

The Weight of the Asian American Vote

When Asian Americans adopt a new nation, how might voting serve as a means for expressing our varied senses of identity and community?

A performance in an opera hall, looking sideways across the orchestra pit. The performers are both on stage, lit in blue on the left, and in the first rows of red seats, on the right.

A Catalan Opera Adapts Greek Myth to Understand the Refugee Crisis

Since 1993, 33,293 people have drowned in the Mediterranean and the Atlantic trying to reach a safe place to start a new life.

Chinese poetry carved on the wall of the Angel Island Immigration Station in the San Francisco Bay. (Text from Island: Poetry and History of Chinese Immigrants on Angel Island, 1910-1940)

The Chinese Poetry Left at Angel Island, the “Ellis Island of the West”

Angel Island Immigration Station was built in 1910 in the San Francisco Bay mainly to process immigrants from China, Japan, and other countries on the Pacific Rim. Its primary mission was to better enforce the Chinese Exclusion Act of 1882 and other anti-Asian laws enacted in subsequent years.

Admas. From left, clockwise: Abegasu Shiota, Henock Temesgen, Tewodros Aklilu, and Yousef Tesfaye. (Photo courtesy of Frederiksberg Records)

Sons of Ethiopia: A Snapshot of Admas and D.C. Music in the 1980s

Admas draws from and rearranges “golden era” Ethiopian music with then-fairly-new synthesizer and drum-machine rhythms.

Categories
Archive